Archive for June, 2007

Jun 28 2007

A Long Way Gone - Ishmael Beah

Published by Mathy Kandasamy under Uncategorized

a_long_way_gone_book.jpg

To know more about Ishmael Beah - http://en.wikipedia.org/wiki/Ishmael_Beah

From the Book:

I have never been so afraid to go anywhere in my life as I was that day. Even the scuttle of a lizard frightened my entire being. A slight breeze blew and it went throught my brain with a sharp swoop that made me grit my teeth in pain. Tears had begun to form in my eyes, but I struggled to hide them and gripped my gun for comfort.

We waled into the arms of the forest, holding our guns as if they were the only thing that gave us strength. We exhaled quietly, afraid that our own breathing could cause our death. The lieutenant led the line that I was in. He raised his fist in the air and we stopped moving. Then he slowly brought it down and we sat on one heel, our eyes surveying the forest. I wanted to turn around to see my friend’s faces, but I couldn’t. We began to move swiftly among the bushes until we came to the edge of a swamp, where we formed an ambush, aiming our guns into the swamp. We lay flat on our stomuchs and waited. I was lying next to Josiah. Then there was Sheku and an adult soldier between myself, Jumah and Musa. I looked around to see if I could catch their eyes, but they were concentrated on the invisible target in the swamp. The top of my eyes began to ache and the pain slowly rose up to my bead. My ears became warm and tears were running down my cheeks, even though I wasn’t crying. The veins on my arms stood out and I could feel them pulsating as if they had begun to breathe of their own second. We waited in the quiet, as hunters do, our fingers gently caressing the triggers. The silence tormented me.

The short trees in the swamp began to shake as the rebels made their way through them. They weren’t yet visible, but the lieutenant had passed the word down throught a whisper that was relayed like domino effect: “fire on my command.” As we watched, a group of men dressed in civilian clothes emerged from under the tiny bushes. They waved their hands and more fighters came out. Some were boys, as young as we were. They sat together in line, waving their hands, planning a strategy. The lieutenant ordered an RPG to be fired, but the commander of the rebels heard it as it whooshed its way out of the forest. “Retreat!” he told his men, and the grenade’s blast got only a few men, whose split bodies flew in the air. The explosion was followed by an exchange of fire from both sides. I lay there with my gun pointed in front of me, unable to shoot. My index finger had become numb. The forest had begun to spin. I felt a if the ground had turned upside down and I was going to fall off, so I clutched the base of a tree with one hand. I couldn’t think, but I could hear the sounds of the guns faraway in the distance and the cries of people dying in pain. I had begun to fall into some sort of nightmare. A splash of blood hit my face. In my reverie I had opened mouth a bit, so I tasted some of the blood. As I spat it out and wiped it off my face, I saw the soldier it had come from. Bloor boured out of the bullet holds in him like water rushing through newly-opened tributaries. His eyes were wide open; he still held his gun. My eyes were fixed on him when I heard Josiah scream. He cried for his mother in the most painfully piercing voice that I had ever heard. It vibrated inside my head to the point that I felt my brain had shaken loose from its anchor.

The sun showed flashes of the tips of guns and bullets traveling toward us. Bodies had begun to pile on top of each other near a short palm tree, where fronds dripped blood. I searched for Josiah. An RPG had tossed his tiny body off the ground and he had landed on a tree stump. He wiggled his legs as his cry gradually came to an end. There was blood everywhere. It seemed as if bullets were falling into the forest from all angles. I crawled to Josiah and looked into his eyes. THere were tears in them and his lips were shaking, but he could not speak. As I watched him, the water in his eyes was replaced with blood that quicly turned his brown eyes into red. He reached for my shoulder as if he wanted to hold it and pull himself up. But midway, he stopped moving. THe gunshots faded in my head, and it was as if my heart had stopped and the whole world had come to a standstill. I covered his eyes with my fingers and pulled him from the tree stump. His backbone had been shattered. I placed him flat on the ground and picked up my gun. I did not realise that I had stood up to take Josiah off the tree stump. I felt someone tugging at my foot. It was the corporal; he was saying something that I couldn’t understand. His mouth moved and he looked terrified. He pulled me down, and as I hit the ground, I felt my brain shaking in my skull again and my deafness disappeared. “Get down,” he was screaming. “Shoot,” he said, as he crawled away from me to resume his position. As I looked to where he lay, my eyes cought Musa, whose head was covered with blood. His hands looked too relaxed. I turned toward the swamp, where there were gunmen running trying to cross over. My face, my hands, my shirt and gun were covered with blood. I raised my gun and pulled the trigger, and I killed a man. Suddenly, as if someone was shooting them insdie my brain, all the massacres I had seen since the day I was touched by war began flashing in my head. Every time I stopped shooting to change magazines and saw my two young lifeless friends, I angrily pointed my gun into thw swamp and killed more people. I shot everything that moved, until we were ordered to retreat because we needed another strategy.

We took the guns and ammunition off the bodies of my friends and left them there in the forest, which had taken on a life of its own, as if it had trapped the souls that had departed from the dead. The branches of the tree looked as if they were holding hands and bowling their ambush a few meters away from our initial position. Once again, we waitied. It was between evening and nighttime. One lonely cricket tried to start singing, but none of its companions joined in, so it stopped to let silence bring night. I lay next to the corporal, whose eyes were redder than normal. He ignored my stare. We heard footsteps ont he dried grasses and immiediatly took aim. A group of gunmen and boys emerged from under the bushes, crouched, and took quick cover behind trees. As they got closer, we opened fire, dropping those who stood in front. The rest we chased into the swamp, where we lost them. There, crabs had already begun feasting on the eyes of the dead. Limbs and fragmented skulls lay on top of the bog, and the water in the swamp had been replaced by blood. We flipped the bodies over and took their ammunition and guns.

I was not afraid of these lifeless bodies. I despised them and kicked them to flip them. I foud a G3, some ammunition, and a handgun that the corporal kept for himself. I noticed that most of the dead gunmen and boys wore lots of jwellery on their necks and wrists. Some even wore more than five gold watches on one wrist. One boy, whose uncombed hari was now soaked with blood, wore a Tupac Shakur T-shirt that said: “All eyes on me.” We lost a few adult soldiers on our side and my friends Musa and Josiah. Musa, the storyteller, was gone. There was no one around to tell us stories and make us laugh at times when we needed it. And Josiah - if only I had let him continue sleeping the first day of training, perhaps he wouldn’t have gone to the front lines in the first place.

We arrived in the village with nightfall and sat agaist the walls of the army house. It was quiet, and as if we werew afraid of silence, we began cleaning the blood off our guns and the ones we had brought with us, cleaning and oiling their chambers. We shot the weapons into the air to test their effectiveness. I went for supper that night, but was unable to eat. I only drank water and felt nothing. As I walked back to my tent, I stumbled into a cement wall. My knee bled, but I didn’t feel a thing. I lay on my back in the tent with my AK-47 on my chest and the G3 I had brought with me leaning on the peg of the tent. Nothing happened in my head. It was void, and I started at the roof of the tent until I was miraculously able to dose off. I h ad a dream that I was picking up Josiah from teh tree stump and a gunman stood on top of me. He placed his gun on my forehead. I immediately woke up from my dream and began shouting inside the tent, until the thrity rounds in the magazine was finished. The corporal and the lieutenant came in afterward and took me outside. I was sweating, and tehy three water on my face and gave me a few more of the while capsules. I stayed up all night and couln’t sleep for a week. We went out two more times that week and I had no problem shooting my gun.

Links:

In 2000 Ishmael Beah wrote briefly about his experiences here.
When Good Comes From Bad by Ishmael Beah*, August 2000

Ishmael Beah was interviewed by CBC Radio, when he came to Montreal. Excerpts from the audio interview could be read here: Ishmael Beah Interview - CBC

http://www.alongwaygone.com/

2 responses so far

Jun 14 2007

Chinua Achebe wins Booker Prize

Published by Mathy Kandasamy under Uncategorized

chunua_achebe.jpg

From The Guardian:

The unseen literary world
Maya Jaggi: Chinua Achebe’s long wait for recognition highlights the invisibility of non-western writers.

News: Booker for Achebe
Chimamanda Ngozi Adichie: My inspiration
Helon Habila: Meeting Achebe

Extract: Things Fall Apart
Guide: Achebe’s life and work

No responses yet

Jun 12 2007

Benjamin Zephaniah

Published by Mathy Kandasamy under Uncategorized

zephaniah_benjamin.JPG


Everybody Is Doing It

In Hawaii they Hula
They Tango in Argentina
They Reggae in Jamaica
And they Rumba down in Cuba,
In Trinidad and Tobago
They do the Calypso
And in Spain the Spanish
They really do Flamenco.

In the Punjab they Bhangra
How they dance Kathak in India
Over in Guatemala
They dance the sweet Marimba,
Even foxes dance a lot
They invented the Fox Trot,
In Australia it’s true
They dance to the Didgeridoo.

In Kenya they Benga
They Highlife in Ghana
They dance Ballet all over
And Rai dance in Algeria,
They Jali in Mali
In Brazil they Samba
And the girls do Belly Dancing
In the northern parts of Africa.

Everybody does the Disco
From Baghdad to San Francisco
Many folk with razzamataz
Cannot help dancing to Jazz,
They do the Jig in Ireland
And it is really true
They still Morris dance in England
When they can find time to.”

Nature Trail

\At the bottom of my garden
There’s a hedgehog and a frog
And a lot of creepy-crawlies
Living underneath a log,
There’s a baby daddy long legs
And an easy-going snail
And a family of woodlice,
All are on my nature trail.

There are caterpillars waiting
For their time to come to fly,
There are worms turning the earth over
As ladybirds fly by,
Birds will visit, cats will visit
But they always chose their time
And I’ve even seen a fox visit
This wild garden of mine.

Squirrels come to nick my nuts
And busy bees come buzzing
And when the night time comes
Sometimes some dragonflies come humming,
My garden mice are very shy
And I’ve seen bats that growl
And in my garden I have seen
A very wise old owl.

My garden is a lively place
There’s always something happening,
There’s this constant search for food
And then there’s all that flowering,
When you have a garden
You will never be alone
And I believe we all deserve
A garden of our own.

The Race Industry

The coconuts have got the jobs.
The race industry is a growth industry.
We despairing, they careering.
We want more peace they want more police.
The Uncle Toms are getting paid.
The race industry is a growth industry.
We say sisters and brothers don’t fear.
They will do anything for the Mayor.
The coconuts have got the jobs.
The race industry is a growth industry.
They’re looking for victims and poets to rent.
They represent me without my consent.
The Uncle Toms are getting paid.
The race industry is a growth industry.
In suits they dither in fear of anarchy.
They take our sufferings and earn a salary.
Steal our souls and make their documentaries.
Inform daily on our community.
Without Black suffering they’d have no jobs.
Without our dead they’d have no office.
Without our tears they’d have no drink.
If they stopped sucking we could get justice.
The coconuts are getting paid.
Men, women and Brixton are being betrayed.

We Refugees

I come from a musical place
Where they shoot me for my song
And my brother has been tortured
By my brother in my land.

I come from a beautiful place
Where they hate my shade of skin
They don’t like the way I pray
And they ban free poetry.

I come from a beautiful place
Where girls cannot go to school
There you are told what to believe
And even young boys must grow beards.

I come from a great old forest
I think it is now a field
And the people I once knew
Are not there now.

We can all be refugees
Nobody is safe,
All it takes is a mad leader
Or no rain to bring forth food,
We can all be refugees
We can all be told to go,
We can be hated by someone
For being someone.

I come from a beautiful place
Where the valley floods each year
And each year the hurricane tells us
That we must keep moving on.

I come from an ancient place
All my family were born there
And I would like to go there
But I really want to live.

I come from a sunny, sandy place
Where tourists go to darken skin
And dealers like to sell guns there
I just can’t tell you what’s the price.

I am told I have no country now
I am told I am a lie
I am told that modern history books
May forget my name.

We can all be refugees
Sometimes it only takes a day,
Sometimes it only takes a handshake
Or a paper that is signed.
We all came from refugees
Nobody simply just appeared,
Nobody’s here without a struggle,
And why should we live in fear
Of the weather or the troubles?
We all came here from somewhere.

White Comedy

I waz whitemailed
By a white witch,
Wid white magic
An white lies,
Branded by a white sheep
I slaved as a whitesmith
Near a white spot
Where I suffered whitewater fever.
Whitelisted as a whiteleg
I waz in de white book
As a master of white art,
It waz like white death.

People called me white jack
Some hailed me as a white wog,
So I joined de white watch
Trained as a white guard
Lived off the white economy.
Caught and beaten by de whiteshirts
I waz condemned to a white mass,
Don’t worry,
I shall be writing to de Black House.

Well, Benjamin Zephaniah is one of my favorite poets and I will stop here before before I list all his poems. :)

Here’s an old post of mine from my tamil blog - http://mathy.kandasamy.net/musings/2005/03/15/176

Wikipedia article - http://en.wikipedia.org/wiki/Benjamin_Zephaniah

Benjamin Zephaniah’s website - http://www.benjaminzephaniah.com

One response so far

Jun 06 2007

Shalini Kantayya

Published by Mathy Kandasamy under Uncategorized

shalini_kantayya.jpg

On the Lot is a reality show competition produced by Steven Spielberg and Mark Burnett[1]. The show, which airs on FOX, features filmmakers competing in weekly elimination competitions, with the ultimate prize of a million dollar development deal at DreamWorks. On the Lot premiered May 22, 2007, and airs Tuesdays each week.[2]

The official On The Lot site gathered 12,000 submissions from all over the world [3] and the submission deadline was February 16, 2007.[4]. These 12,000 submissions yielded 50 semi-finalists. The contest structure is similar to that of American Idol, with the initial episodes narrowing those semi-finalists down to 18 finalists. After the audition stage, the program will comprise of a 1-hour show where movies are screened (”Film Premiere”) followed the next day by a half-hour results show (”Box Office”). Viewers can vote each week for their favourite directors, which will result in the elimination of the directors with the lowest vote totals. Votes can be made online at thelot.com, in addition to landline calls and Verizon text messages, and is permitted for two hours after the show.

Originally scheduled for seperate episodes on consecutive nights, the “Film Premiere” episodes are now scheduled to air on Tuesday nights at 8:00PM/7:00PM CT, with voting results as part of the following week’s episode, as of May 31, 2007[5]. The show is also aired in Canada (on CTV)[6], on People+Arts in Latin America, on FOX8 in Australia, on STAR Movies[7] in Asia, and on STAR World in India.
Source: Wikipedia

Yesterday happened to catch the tail-end of the ‘On The Lot’ program. And felt lucky because of the contestant is an Indian-American and she is somebody I’d heard about.

It’s Shalini Kantayya. And she has directed ‘A Drop of Life’ starring Nandita Das. Shalini Kantayya is one of the five contestant whose film was selected for the next round and was roundly apploaded by all. All the other contestants, who were leaving the show selected Shalini’s ‘Laughing Out Loud: A Comic’s Journey’. It was also selected as the favourite film by one of the judges. Good Show Shalini.

Shalini Kantayya in the ‘On The Lot’ : http://www.thelot.com/contestants/view/?id=14
Note: You can watch her movies here

Shalini Kantayya’s website: http://www.7thempiremedia.com

A Drop of Water: http://www.adropoflife.tv

Here’s something written by Shalini Kantayya:

As I became aware of the mounting global water crisis, I realized that it represented a clash of cultures—between a culture that values water as a shared sacred resource and a corporate culture that regards water as a commodity to be bought and sold.

Water is rapidly becoming the oil of the 21st century, and women are likely to be the most impacted. A UNIFEM report states that “in most developing countries women are responsible for water management at the domestic and community level. It was also estimated that women and girls use more than eight hours a day traveling from ten to fifteen km. to transport between twenty and fifteen liters of water in each trip”. Often the responsibility of water collection keeps girls from attending school and furthering their education.

After living many years in both India and America, my work seeks to explore how water conflicts in the future will affect the already vast disparities between the “First World” and “Third World” and the shared experiences of women across the globe.

“One Struggle” aims to convey the growing life-threatening divide between people who can afford this vital resource and those who cannot, and the common struggles of women across the globe for self-determination.
Source: http://imaginingourselves.imow.org/pb/Story.aspx?id=526&lang=1&g=0

One response so far